Hannah Diamond is a British multidisciplinary artist known for her work as part of the PC Music label and her distinctive 360° pop project, blending experimental pop, photography and performance. Ahead of her Club Vismarkt set, she joins us to play mix of euphoric club music, personal favourites, and some of the sounds that have shaped her own music.

With four new albums by the living members of Faust's legendary 1971–1974 line-up due for release on Bureau B this September, we take the opportunity to dive into the archives. This Outsiders episode explores the early years of the Krautrock pioneers: a band that sidestepped genre and expectation, forging a fractured, exploratory vision of rock music through tape experiments, improvised structures, and surreal collage. It also traces the band's more accessible side, which briefly surfaces on Faust IV–only to be subverted once again.

WEB ENDING is a tribute set to my former SoundCloud account, where, over the course of three years, I uploaded numerous tracks made by myself or by friends. During that time, I released a new track in rhythm with the images transmitted by the James Webb Space Telescope. After 68 tracks, WEBBB came to an end at the edge of its own limits: SoundCloud had become saturated by this accumulation of fragments, friendships, landscapes, and signals from outer space.

Brahim Tall sees deejaying as a part of his artistic practice, continuing his research on difference and blackness in his selection. Often playing an eclectic mix of club genres with their roots and rhythms in Africa and its diaspora. An attempt to blend them into an exciting mix of sounds