As a member of Ghent’s experimental music scene, over the past two decades Annelies Monseré has slowly refined a singular approach to musicality, moving from the sparse, instrumental piano works that defined her early career, toward increasingly complex arrangements of instrumentation that offer a central place to her own voice, issued by noteworthy imprints such as BlueSanct, Morc Tapes, Stroom, three:four, and Horn of Plenty. Like her work within the widely celebrated ensemble, Luster, as well as Distels (her duo with Steve Marreyt) and Hydromedusae (her duo with Jessica Bailiff), Monseré’s solo efforts establish a strikingly beautiful and remarkably unique territory that elegantly balances between rigorous experimentalism, minimalism, drone, and folk.