
Pradaksina reflects on circumambulation as a quiet ritual of becoming and decay. This cycle reminds us that erosion makes space for renewal; each orbit around the centre prepares the ground for what may yet come.
Featuring B-side signals from Syafiq Halid’s brooding Dark Energy, Safuan Johari’s bangsawan theatre piece Gemala Malam, Wukir Suryadi’s sonic incantations, and Dharma’s experiments in metal timbre, this selection situates Southeast Asian undercurrents within a wider frame of transgressive and residual sound practices. Xiu Xiu’s ritual abrasions, Moin, and Planning For Burial’s ambient ruin linger at the margins, where repetition and erosion become necessary conditions for renewal.
Here, the sampled is not static; it is a site for perpetual re-becoming.